Although there is a lack of obvious narrative, this painting is particularly informative about the context of the time. Footbridge at Argenteuil depicts the newly emerging middle class vacationing in the suburbs outside of Paris.
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This new access to leisure became more common with the development of industry and the newly constructed railroad along the Seine River. Impressionist artists began capturing this new subject matter, creating genres that were distinct from the limitations of the Academy.
Summary of Alfred Sisley
This painting is emblematic of Alfred Sisley's oeuvre , concentrating on the artist's perception of the natural world. The application of quick, feathery brushstrokes captures the ephemeral effects of light on a surface. This can be seen with the subtle nuances of color on the river that reflect the sky, clouds, and grassy knoll. The perspective from which the artist chose to paint the bridge gives a sense of the structure's monumental scale.
Additionally, Sisley included figures to provide a sense of scale to convey the bridge's size. While the Bridge at Villeneuve-la-Garenne is a study of nature, it also illustrates France's desire to be politically and industrially progressive following the loss of the Franco-Prussian war. The bridge was reconstructed after the war and represents the restoration of France at the end of the 19 th century. The Bridge at Villeneuve-la-Garenne then represents the rhetoric of hope of regeneration.
This painting was one of three works that Durand-Ruel purchased from Sisley. It was included in an album of three hundred of his most beautiful prints. The album was created with the intention to publish; yet this project was never realized. Content compiled and written by Sheryl Siclari-Ostyn.
Updated and modified regularly. By using our site, you agree to our terms , and usage of cookies. GOT IT! The Art Story. Artists Alfred Sisley. Sisley's landscapes are known for their uncanny ability to capture a sense of atmosphere and light. This effect is compounded by his big, expressive skies, which are almost always a central feature of his paintings. Although he is often considered an outsider because of his English citizenship, Sisley trained in Paris with Pierre-Auguste Renoir and Claude Monet , among other greats, and was one of the crucial figures working to create the new style that would become known as Impressionism.
The massive landscape includes a peasant working in the field to illustrate the monumental scale of the haystacks. Poplar trees frame the background, additionally emphasizing the vastness of nature. Sisley captures the light reflecting off of the grain with deep oranges and reds through the thick layering of paint.
His brushstrokes are almost whimsical, giving the grain texture. Haystacks at Moret, Morning represents France as a fertile, agrarian country, bountiful in its resources.
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The poplars were a National symbol, often represented in the iconography of France. Sisley may have been inspired to explore this new theme after viewing Pissarro's The Rick, Pontoise and Harvest at Montfoucault Additionally, he may have seen Monet's haystack series, exhibited at Durand-Ruel's gallery the same year he undertook this subject.
Sisley returned to this theme in , creating four more paintings of haystacks. Like Monet, Sisley used the poplars to illustrate the enduring qualities of nature. In this way, they answered the problem that the Impressionist artists faced during the last decade of the 19 th century, how to take an ephemeral subject and make it timeless. He painted this church about a dozen times after settling in Moret in It is considered a series, although it is unknown if it was meant to be exhibited that way. The architecture encompasses the entire canvas, translating the heaviness of the stone structure.
Sisley emphasizes the solidness of the church with thick painterly horizontal lines, but his loose brushwork and ability to capture the quality of moving light and shadow lightens up the whole work. The painting represents the church during the late afternoon, when the sun was setting on the church. This makes for a glowing composition, with vibrant golds, oranges, and browns set off against a clear blue sky. Church of Moret is quite similar to the paintings from Monet's Rouen Cathedral series s , which show Rouen Cathedral at different times of day in different sorts of weather. In spite of the similarity, it is unknown if Sisley was aware of or ever viewed Monet's series.
In any case, it is a quintessential Impressionist painting in that it seeks to depict the real world around us in all its fleeting beauty and specificity. Content compiled and written by Sheryl Siclari-Ostyn. Updated and modified regularly. By using our site, you agree to our terms , and usage of cookies. GOT IT! The Art Story.
Impressionism - Biography of Alfred SISLEY
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Like The Art Story on Facebook. If you see an error or typo, please: tell us. Pierre-Auguste Renoir was one of the leading figures of French Impressionism during the late-nineteenth century. Renoir tended to favor outdoor scenes, gardens bathed in sunlight, and large gatherings of people. Known as a master of light, shadow and color, Renoir was also highly esteemed for his depiction of natural movement on the canvas. In terms of the French Impressionists' lasting popularity and fame, Renoir is perhaps second only to Monet. Shop By Category. My Orders. Track Orders. Change Language.
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